It was the hat. He looked sweet in the hat. How could a man in a fuzzy blue hat have used human bones to pave his roads?

Rich children are always blond, Jocelyn goes. It has to do with vitamins.

When the clock stops on a life, all things emanating from it become precious, finite, and cordoned off for preservation. Each aspect of the dead person is removed from the flux of the everyday, which, of course, is where we miss him most. The quarantine around death makes it feel unlucky and wrong--a freakish incursion--and the dead, thus quarantined, come to seem more dead than they already are.... Borrowing from the dead is a way of keeping them engaged in life's daily transactions--in other words, alive.

That's what death is, Danny thought: wanting to talk to someone and not being able to.

So this is it ⎯ what cost me all that time. A man who turned out to be old, a house that turned out to be empty.

Like all failed experiments, that one taught me something I didn’t expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out.

Time’s a goon, right? You gonna let that goon push you around?” Scotty shook his head. “The goon won.

I don't know what happened to me," he said, shaking his head. "I honestly don't." ... "You grew up, Alex.

Time's a goon right? Isn't that the expression?

Soiled, forgotten coats of arms were carved above their massive doorways, and these unsettled Ted: such universal, defining symbols made meaningless by nothing more than time.

I picture it like Judgement Day,' he says finally, his eyes on the water. 'We'll rise up out of our bodies and find each other again in spirit form. We'll meet in that new place, all of us together, and first it'll seem strange, and pretty soon it'll seem strange that you could ever lose someone, or get lost.

Vinegar: that's what fear smells like.

Sure, everything is ending," Jules said, "but not yet.

Too Clear, too clean. The problem was precision, perfection; the problem was "digitization" which sucked the life out of everything that got smeared through its microscopic mesh. Film, photography, music: dead. "An aesthetic holocaust!

And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.

Her only thought was of getting away, as if she were carrying a live grenade from inside the house, so that when it exploded, it would destroy just herself.

Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy — had never not been happy — and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.

The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.

She was clean": no piercings, tattoos, or scarifications. All the kids were now. And who could blame them, Alex thought, after watching three generations of flaccid tattoos droop like moth-eaten upholstery over poorly stuffed biceps and saggy asses?

This is the music business. 'Five years is five hundred years' - your words.

And then I notice the music flooding out of every part of the apartment at once — the couch, the walls, even the floor — and I know Bennies alone in Lou’s studio, pouring music down around us. A minute ago it was “Don’t Let Me Down”. Then it was Blondie’s “Heart of Glass”. Now it’s Iggy Pop’s “The Passenger”. Listening, I think, You will never know how much I understand you.

He's rigged a tiny cassette player with a small set of foam earphones to listen to demo tapes and rough mixes. Occasionally he'll hand the device to Mindy, wanting her opinion, and each time, the experience of music pouring directly against her eardrums - hers alone - is a shock that makes her eyes well up; the privacy of it, the way it transforms her surroundings into a golden montage, as if she were looking back on this lark in Africa with Lou from some distant future.

Das mine!' protested Ava, Bennie's daughter, affirming Alex's recent theory that language acquisition involved a phase of speaking German. She snatched a plastic skillet away from his own daughter, Cara-Ann, who lurched after it, roaring, 'Mine pot! Mine pot!

Sasha's green eyes were right up against yours, the lashes interlocking. "In Naples," she said, "there were kids who were just lost. You knew they were never going to get back to what they'd been, or have a normal life. And then there were other ones who you thought, maybe they will."...You opened your eyes, which you hadn't realized were shut again. "what I'm saying is, We're the survivors," Sasha said...."Not everyone is. But we are. Okay?

You can do it alone. But it's going to be so much harder.

Oh we'll know each other for forever' Bix said. 'The days of losing touch are almost gone.' 'What does that mean? ' Drew asks.'We're going to meet again in a different place,' Bix said. 'Everyone we've lost, we'll find. Or they'll find us.

All that love, all that pain, all the stuff people feel – not just me and you, brother, but everyone, everyone who's ever walked this beautiful green planet – how can all that disappear when somebody dies? It can't disappear, it's too big. Too strong, too... permanent. So it moves to another frequency, where the human ear can't pick up.

Rebecca was an academic star. Her new book was on the phenomenon of word casings, a term she'd invented for words that no longer had meaning outside quotation marks. English was full of these empty words--"friend" and "real" and "story" and "change"--words that had been shucked of their meanings and reduced to husks. Some, like "identity" and "search" and "cloud," had clearly been drained of life by their Web usage. With others, the reasons were more complex; how had "American" become an ironic term? How had "democracy" come to be used in an arch, mocking way?

Kathy was a Republican, one of those people who used the unforgivable phrase "meant to be"--usually when describing her own good fortune or the disasters that had befallen other people.

The sky was electric blue above the trees but the yard felt dark. Stephanie went to the edge of the lawn and sat her forehead on her knees. The grass and soil were still warm from the day. She wanted to cry but she couldn't. The feeling was too deep.

But Phoebe loved her mother best as she was now, wistful, out-of-step, her laugh tinged always with sadness, as if things were only funny in spite of themselves.

I’m sorry and I believe in you and I’ll always be near you, protecting you, and I will never leave you, I’ll be curled around your heart for the rest of your life.

I would lie of course. I lied a lot and with good reason: to protect the truth—safeguard it like wearing fake gems to keep the real ones from getting stolen or cheapened by overuse. I guarded what truths I possessed because information was not a thing—it was colorless odorless shapeless and therefore indestructible. There was no way to retrieve or void it no way to halt its proliferation. Telling someone a secret was like storing plutonium inside a sandwich bag the information would inevitably outlive the friendship or love or trust in which you’d placed it. And then you would have given it away.

I haven’t had writer’s block. I think it’s because my process involves writing very badly.

But Bennie knew that what he was bringing into the world was shit. Too clear, too clean. The problem was precision, perfection; the problem was digitization, which sucked the life out of everything that got smeared through its microscopic mesh. Film, photography, music: dead. An aesthetic holocaust! Bennie knew better than to say this stuff aloud.

They resumed walking. Alex felt an ache in his eyes and throat. "I don't know what happened to me," he said, shaking his head. "I honestly don't."Bennie glanced at him, a middle-aged man with chaotic silver hair and thoughtful eyes. "You grew up, Alex," he said, "just like the rest of us.

I think ethical ambivalence is a kind of innoculation, a way of excusing yourself in advance for something you actually want to do. No offense.

A frenzy of activity that had mostly led him in circles: wasn't that a fairly accurate description of lust?

A frenzy of activity that had mostly led him in circles: wasn't that a fairly accurate description of lust? At times Bennie didn't even mind its disappearance; it was sort of a relief not to be constantly wanting to fuck someone. The world was unquestionably a more peaceful place without the half hard-on that had been his constant companion since the age of thirteen, but did Bennie want to live in such a world?

If I had a view like this to look down on every day, I would have the energy and inspiration to conquer the world. The trouble is, when you most need such a view, no one gives it to you.

I felt no shame in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.

The world is full of shitheads, Rhea. Don’t listen to them—listen to me. And I know that Lou is one of those shitheads. But I listen.

Like all failed experiments, that one taught me something I didn’t expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out. And I, like a scientist unwittingly inhaling toxic fumes from the beaker I was boiling in my lab, had, through sheer physical proximity, been infected by that same delusion and in my drugged state had come to believe I was Excluded: condemned to stand shivering outside the public library at Fifth Avenue and Forty-second Street forever and...

happened as I listened: I felt pain. Not in my head, not in my arm, not in my leg; everywhere at once. I told myself there was no difference between being “inside” and being “outside,” that it all came down to X’s and O’s that could be acquired in any number of different ways, but the pain increased to a point where I thought I might collapse, and I limped away.

I guess it’s always romantic when two people fall in love.... Even if it turns out not to be real.

I smoked my first pipe with Seth. I knew the stuff was bad, but I was so tired of being the cop, begging and ragging at him, throwing Pampers in his face when he walked in the door. I wanted to be on the same side again. So I smoked with Seth one afternoon when the girls were napping, and oh my God, I can only think about this for a minute or every part of me will turn into a mouth wanting more: the sexiness of it, fucking Seth like wild for the first time in months, going on even when the girls started to whimper and bang on the door. Then looking out the window and seeing the world shake itself to life: the heavy trees, the sky. And I was back on top. We were going to make it, Seth and I. The voice in my head was back again, telling me stories, too many to write down or even tell one from another.

It's finished. Everything went past, without me.

...our familiar features rinsed in weird adulthood.

I can't tell if she's actually real, or if she's stopped caring if she's real or not. Or is not caring what makes a person real?

You can only write regularly if you’re willing to write badly… Accept bad writing as a way of priming the pump, a warm-up exercise that allows you to write well.

It made me alert, like someone had scrubbed mint all over my skin. I'd walk into that stinking, miserable prison and for the next three hours, a wise and beautiful woman would float out of the wreckage of my life, and her words and thoughts and tiniest movements were precious.

...underneath that I'd said something else: we were both a couple of asswipes, and now only I'm an asswipe; why? And underneath that, something else: once an asswipe, always an asswipe.

When does a fake Mohawk become a real Mohawk? Who decides? How do you know if it's happened?

No one is waiting for me. In this story, I’m the girl no one is waiting for. Usually the girl is fat, but my problem is more rare, which is freckles: I look like someone threw handfuls of mud at my face.

You said you were a fairy princessYou said you were a shooting starYou said we'd go to Bora BoraNow look at where the fuck we are

See," Sasha muttered, eyeing the sun. "It's mine.

She'd risked everything, and here was the result: the raw, warped core of her life.

A bit of theory as we settle down for lunch: the waiter's treatment of Kitty is actually a kind of sandwich, with the bottom bread being the bored and slightly effete way he normally acts with customers, the middle being the crazed and abnormal way he feels around this famous nineteen-year-old girl, and the top bread being his attempt to contain and conceal this alien middle layer with some mode of behavior that at least approximates the bottom layer of boredom and effeteness that is his norm.