I don't want my work to be an exposure of my feelings.

Old art offers just as good a criticism of new art as new art offers of old.

Art is either a complaint or appeasement.

My experience with life is that it's very fragmented. In one place certain kinds of thing occur, and in another place a different kind of thing occurs. I would like my work to have some vivid indication of those differences. I guess, in painting, it would amount to different kinds of space being represented in it.

I think that one wants from a painting a sense of life. The final suggestion, the final statement, has to be not a deliberate statement but a helpless statement. It has to be what you can't avoid saying.

In my early work, I tried to hide my personality, my psychological state, my emotions. This was partly due to my feelings about myself and party due to my feelings about painting at the time. I sort of stuck to my guns for a while but eventually it seemed like a losing battle. Finally one must simply drop the reserve.

A not complete unit or a new unit. The elements in the 3 parts should neither fit nor not fit together.One would like not to be led. Avoid the idea of a puzzle which could be solved. Remove the signs of thought. It is not thought which needs showing.

I assumed that everything would lead to complete failure, but I decided that didn't matter – that would be my life.

As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a confusion, or a freedom.