Se ciascuno pensa solo a se stesso e non si fida che di se stesso, come volete che ci sia coraggio civile, dal momento che questa virtù si basa sulla rinuncia a se stessi? Coraggio civile e coraggio militare nascono dallo stesso principio. Voi siete chiamati a dare la vostra vita in un sol momento, la nostra si consuma a goccia a goccia. Da entrambe le parti è la stessa lotta, sotto forme diverse. Non basta essere onesti per far progredire il più piccolo paese, bisogna anche essere preparati; senza contare che istruzione, onestà, amor di patria non valgono niente se non c'è la ferma volontà di trascurare ogni interesse personale per dedicarsi al pubblico bene
However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?
No one ought even to desert a woman after throwing her a heap of gold in her distress! He ought to love her forever! You are young, only twenty-one, and kind and upright and fine. You'll ask me how a woman can take money from a man. Oh, God, isn't it natural to share everything with the one we owe all our happiness to? When one has given everything, how can one quibble about a mere portion of it? Money is important only when feeling has ceased. Isn't one bound for life? How can you foresee separation when you think someone loves you? When a man swears eternal love--how can there be any separate concerns in that case?
Have you ever plunged into the immensity of space and time by reading the geological treatises of Cuvier? Borne away on the wings of his genius, have you hovered over the illimitable abyss of the past as if a magician's hand were holding you aloft? As one penetrates from seam to seam, from stratum to stratum and discovers, under the quarries of Montmartre or in the schists of the Urals, those animals whose fossilized remains belong to antediluvian civilizations, the mind is startled to catch a vista of the milliards of years and the millions of peoples which the feeble memory of man and an indestructible divine tradition have forgotten and whose ashes heaped on the surface of our globe, form the two feet of earth which furnish us with bread and flowers. Is not Cuvier the greatest poet of our century? Certainly Lord Byron has expressed in words some aspects of spiritual turmoil; but our immortal natural historian has reconstructed worlds from bleached bones.
What moralists describe as the mysteries of the human heart are solely the deceiving thoughts, the spontaneous impulses of self-regard. The sudden changes in character, about which so much has been said, are instinctive calculations for the furtherance of our own pleasures. Seeing himself now in his fine clothes, his new gloves and shoes, Eugène de Rastignac forgot his noble resolve. Youth, when it swerves toward wrong, dares not look in the mirror of conscience; maturity has already seen itself there. That is the whole difference between the two phases of life.
Was she acting entirely consciously? No: women are always sincere, even in the midst of their most shocking duplicities, because it is always some natural emotion which dominates them. Perhaps, having given this young man such a hold on her, by having openly demonstrated her affection for him, Delphine was merely responding to a sense of personal dignity, which led her either to revoke any concessions she might have made or, at least, to enjoy suspending them. Even at the very moment when passion seizes her, it is perfectly natural for a Parisian woman to delay her final fall, as a way of testing the heart of the man into whose hands she is about to deliver herself and her future!
How did you get back?' asked Vautrin. 'I walked,' replied Eugene.'I wouldn't like half-pleasures, myself,' observed the tempter. 'I'd want to go there in my own carriage, have my own box, and come back in comfort. All or nothing, that's my motto.''And a very good one,' said Madame Vauquer.
In Paris, when certain people see you ready to set your foot in the stirrup, some pull your coat-tails, others loosen the buckle of the strap that you may fall and crack your skull; one wrenches off your horse's shoes, another steals your whip, and the least treacherous of them all is the man whom you see coming to fire his pistol at you point blank.
No one was irritable; we have never known anyone to remain unhappy while digesting a good meal. We enjoy lingering in a becalmed state, a kind of midpoint between the reverie of a thinker and the contentment of a cud-chewing animal, a state that should be termed the physical melancholy of gastronomy.
If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.
Here comes Mamma Vauquerr, fair as a starrr; and strung up like a bunch of carrots. Aren't we suffocating ourselves a wee bit?' he asked, placing a hand on the top of her corset. 'A bit of a crush in the vestibule, here, Mamma! If we start crying, there'll be an explosion. Never mind, I'll be there to collect the bits--just like an antiquary.''Now, there's the language of true French gallantry,' murmured Madame Vauquer in an aside to Madame Couture.