The Children's HourBetween the dark and the daylight,When the night is beginning to lower,Comes a pause in the day's occupations,That is known as the Children's Hour.I hear in the chamber above meThe patter of little feet,The sound of a door that is opened,And voices soft and sweet.From my study I see in the lamplight,Descending the broad hall stair,Grave Alice, and laughing Allegra,And Edith with golden hair.A whisper, and then a silence:Yet I know by their merry eyesThey are plotting and planning togetherTo take me by surprise.A sudden rush from the stairway,A sudden raid from the hall!By three doors left unguardedThey enter my castle wall!They climb up into my turretO'er the arms and back of my chair;If I try to escape, they surround me;They seem to be everywhere.They almost devour me with kisses,Their arms about me entwine,Till I think of the Bishop of BingenIn his Mouse-Tower on the Rhine!Do you think, o blue-eyed banditti,Because you have scaled the wall,Such an old mustache as I amIs not a match for you all!I have you fast in my fortress,And will not let you depart,But put you down into the dungeonIn the round-tower of my heart.And there will I keep you forever,Yes, forever and a day,Till the walls shall crumble to ruin,And moulder in dust away!
Lives of great men all remind us We can make our lives sublime, And, departing, leave behind us Footprints on the sand of time; Footprints, that perhaps another, Sailing o'er life's solenm main, A forlorn and shipwrecked brother, Seeing, shall take heart again. Let us then be up and doing, With a heart for any fate; Still achieving, still pursuing, Learn to labor and to wait.
Awake! arise! the hour is late! Angels are knocking at thy door!They are in haste and cannot wait, And once departed come no more.Awake! arise! the athlete's arm Loses its strength by too much rest;The fallow land, the untilled farm Produces only weeds at best.
O, how wonderful is the human voice! It is indeed the organ of the soul! The intellect of man sits enthroned visibly upon his forehead and in his eye; and the heart of man is written upon his countenance. But the soul reveals itself in the voice only; as God revealed himself to the prophet of old in the still, small voice; and in a voice from the burning bush. The soul of man is audible, not visible. A sound alone betrays the flowing of the eternal fountain, invisible to man!
The ceaseless rain is falling fast,And yonder gilded vane,Immovable for three days past,Points to the misty main,It drives me in upon myselfAnd to the fireside gleams,To pleasant books that crowd my shelf,And still more pleasant dreams,I read whatever bards have sungOf lands beyond the sea,And the bright days when I was youngCome thronging back to me.In fancy I can hear againThe Alpine torrent's roar,The mule-bells on the hills of Spain,The sea at Elsinore.I see the convent's gleaming wallRise from its groves of pine,And towers of old cathedrals tall,And castles by the Rhine.I journey on by park and spire,Beneath centennial trees,Through fields with poppies all on fire,And gleams of distant seas.I fear no more the dust and heat,No more I feel fatigue,While journeying with another's feetO'er many a lengthening league.Let others traverse sea and land,And toil through various climes,I turn the world round with my handReading these poets' rhymes.From them I learn whatever liesBeneath each changing zone,And see, when looking with their eyes,Better than with mine own.
Lull me to sleep, ye winds, whose fitful soundSeems from some faint Aeolian harp-string caught;Seal up the hundred wakeful eyes of thoughtAs Hermes with his lyre in sleep profoundThe hundred wakeful eyes of Argus bound;For I am weary, and am overwroughtWith too much toil, with too much care distraught,And with the iron crown of anguish crowned.Lay thy soft hand upon my brow and cheek,O peaceful Sleep! until from pain releasedI breathe again uninterrupted breath!Ah, with what subtile meaning did the GreekCall thee the lesser mystery at the feastWhereof the greater mystery is death!
The writer of this legend then recordsIts ghostly application in these words:The image is the Adversary old,Whose beckoning finger points to realms of gold;Our lusts and passions are the downward stairThat leads the soul from a diviner air;The archer, Death; the flaming jewel, Life;Terrestrial goods, the goblet and the knife;The knights and ladies all whose flesh and boneBy avarice have been hardened into stone;The clerk, the scholar whom the love of pelfTempts from his books and from his nobler self.The scholar and the world! The endless strife,The discord in the harmonies of life!The love of learning, the sequestered nooks,And all the sweet serenity of books;The market-place, the eager love of gain,Whose aim is vanity, and whose end is pain!
His imagination seemed still to exhaust itself in running, before it tried to leap the ditch. While he mused, the fire burned in other brains. Other hands wrote the books he dreamed about. He freely used his good ideas in conversation, and in letters; and they were straightway wrought into the texture of other men's books, and so lost to him for ever.
Sadly as some old mediaeval knightGazed at the arms he could no longer wield,The sword two-handed and the shining shieldSuspended in the hall, and full in sight,While secret longings for the lost delightOf tourney or adventure in the fieldCame over him, and tears but half concealedTrembled and fell upon his beard of white,So I behold these books upon their shelf,My ornaments and arms of other days;Not wholly useless, though no longer used,For they remind me of my other self,Younger and stronger, and the pleasant waysIn which I walked, now clouded and confused.
It is too late! Ah, nothing is too lateTill the tired heart shall cease to palpitate.Cato learned Greek at eighty; SophoclesWrote his grand Oedipus, and SimonidesBore off the prize of verse from his compeers,When each had numbered more than fourscore years,And Theophrastus, at fourscore and ten,Had but begun his Characters of Men.Chaucer, at Woodstock with the nightingales,At sixty wrote the Canterbury Tales;Goethe at Weimar, toiling to the last,Completed Faust when eighty years were past,These are indeed exceptions; but they showHow far the gulf-stream of our youth may flowInto the arctic regions of our lives.Where little else than life itself survives.
Write on your doors the saying wise and old,"Be bold! be bold!" and everywhere-- "Be bold;Be not too bold!" Yet better the excessThan the defect; better the more than less;Better like Hector in the field to die,Than like a perfumed Paris turn and fly,
If Spring came but once in a century, instead of once a year, or burst forth with the sound of an earthquake, and not in silence, what wonder and expectation there would be in all hearts to behold the miraculous change! But now the silent succession suggests nothing but necessity. To most men only the cessation of the miracle would be miraculous and the perpetual exercise of God’s power seems less wonderful than its withdrawal would be.