If you never left anything or anyone there would be no room for the new. Naturally, to move on is an infidelity -- to others, to the past, to old notions of oneself. Perhaps every day should contain at least one essential infidelity or necessary betrayal. It would be an optimistic, hopeful act, guaranteeing belief in the future -- a declaration that things can be not only different but better.
However angry I was with him, however much I wanted to humiliate Terry, I suddenly saw such humanity in his eyes, and in the way he tried to smile - such innocence in the way he wanted to understand me, and such possibility of pain, along with the implicit assumption that he wouldn't be harmed - that I pulled away.
Desire is naughty and doesn't conform to our ideals, which is why we have such a need of them. Desire mocks all human endeavour and makes it worthwhile. Desire is the original anarchist and undercover agent – no wonder people want it arrested and kept in a safe place. And just when we think we've got desire under control it lets us down or fills us with hope. Desire makes me laugh because it makes fools of us all.
Apparently, now, though, we writers and artists are not allowed to give offence. We must not question, criticise or insult the other, for fear of being hounded and murdered. These days a writer without bodyguards can hardly be considered serious. A bad review is the least of our problems.
Who can think of Larkin now without considering his fondness for the buttocks of schoolgirls and paranoid hatred of blacks … Or Eric Gill’s copulations with more or less every member of his family, including the dog? Proust had rats tortured, and donated his family furniture to brothels; Dickens walled up his wife and kept her from her children; Lillian Hellman lied. While Sartre lived with his mother, Simone de Beauvoir pimped babes for him; he envied Camus, before trashing him. John Cheever loitered in toilets, nostrils aflare, before returning to his wife. P.G. Wodehouse made broadcasts for the Nazis; Mailer stabbed his second wife. Two of Ted Hughes’s lovers had killed themselves. And as for Styron, Salinger, Saroyan … Literature was a killing field; no decent person had ever picked up a pen.
Mamoon went on, “The news I bring is to say that, man being the only animal who hates himself, the likely fate of the world is total self-destruction.” He raised his glass. “All the best then, my friends. Here’s to a happy apocalypse.”“Happy apocalypse,” murmured the other guests, obediently.
I didn't want to be educated. It wasn't the right time of my life for concentration, it really wasn't. The spirit of the age among the people I knew manifested itself as general drift and idleness. We didn't want money. What for? We could get by, living off parents, friends or the State And if we were going to be bored, and we were usually bored, rarely being self-motivated, we could at least be bored on our own terms, lying smashed on mattresses in ruined houses rather than working in the machine. I didn't want to work in a place where I couldn't wear my fur coat.
Plato, along with the latest pope, recognised how dangerous it is to have an artist around making mischief, stirring things up with the spoon of truth and intoxicant of fantasy and magic. And so, for crossing the line, and for stealing God’s fire, artists were banned, imprisoned, condemned, silenced, killed – they always would be, these sometimes Christs of the page.
The writer, indeed every real artist, was the devil, rivalling God in creativity, trying even to surpass him. God was surely man’s most fatal creation, the devil’s kitsch bitch. It was God, with his insistence on being worshipped and admired, who made the argument of art necessary, keeping the fire of dissent alive in men and women. This dissident was the artist, who spanned with his imagination reason and unreason, the under and the over, the dream and the world, men and women.
He died at the wrong time, when there was much to be clarified and established. They hadn’t even started to be grown-ups together. There was this piece of heaven, this little girl he’d carried around the shop on his shoulders; and then one day she was gone, replaced by a foreigner, an uncooperative woman he didn’t know how to speak to. Being so confused, so weak, so in love, he chose strength and drove her away from himself. The last years he spent wondering where she’d gone, and slowly came to realise that she would never return, and that the husband he’d chosen for her was an idiot.
Maybe you never stop feeling like an eight-year-old in front of your parents. You resolve to be your mature self, to react in this considered way rather than that elemental way, to breathe evenly from the bottom of your stomach and to see your parents as equals, but within five minutes your intentions are blown to hell, and you're babbling and screaming in rage like an angry child.
The city blew the windows of my brain wide open. But being in a place so bright, fast and brilliant made you vertiginous with possibility: it didn't necessarily help you grasp those possibilities. I still had no idea what I was going to do. I felt directionless and lost in the crowd. I couldn't yet see how the city worked, but I began to find out.