You forget all of it anyway. First, you forget everything you learned-the dates of the Hay-Herran Treaty and Pythagorean Theorem. You especially forget everything you didn't really learn, but just memorized the night before. You forget the names of all but one or two of your teachers, and eventually you'll forget those, too. You forget your junior class schedule and where you used to sit and your best friend's home phone number and the lyrics to that song you must have played a million times. For me, it was something by Simon & Garfunkel. Who knows what it will be for you? And eventually, but slowly, oh so slowly, you forget your humiliations-even the ones that seemed indelible just fade away. You forget who was cool and who was not, who was pretty, smart, athletic, and not. Who went to a good college. Who threw the best parties Who could get you pot. You forget all of them. Even the ones you said you loved, and even the ones you actually did. They're the last to go. And then once you've forgotten enough, you love someone else.
I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn't be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children's books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires.
Since i couldn't remember the "real" first time i'd lost my virginity, this would have become my de facto first time. I wanted a better story then: I did it with this boy who i wasn't very into and who had mysterious Gaterade breath; in his room decorated with sports equipment; at least he was nice enough to provide condoms and get his ancient, horny dog to leave us along.
Despite the fact that he loves books and owns a bookstore, A.J. does not particularly care for writers. He finds them to be unkempt, narcissistic, silly, and generally unpleasant people. He tries to avoid the ones who've written books he loves for fear that they will ruin their books for him.
But I loved those books or at least that first one. And I felt somewhere down deep inside him the person who wrote it must be there. That you couldn't write such beautiful things and have such an ugly heart. But that is the truth. He was a beautiful writer and a terrible person.
Above all, mine is a love story. Unlike most love stories, this one involves chance, gravity, a dash of head trauma. It began with a coin toss. The coin came up tails. I was heads. Had it gone my way, there might not be a story at all. Just a chapter, or a sentence in a book whose greater theme had yet to be determined. Maybe this chapter would've had the faintest whisper of love about it. But maybe not. Sometimes, a girl needs to lose.
On Earth, Liz was constantly occupied with studying and finding a college and a career and all those other things that the adults in her life deemed terribly important. Since she had died, everything she was doing on Earth had seemed entirely meaningless. From Liz's point of view, the question of what her life would be was now definitively answered. The story of her life is short and pointless: There once was a girl who got hit by a car and died. The end.
A.J. watches Maya in her pink party dress, and he feels a vaguely familiar, slightly intolerable bubbling inside of him. He wants to laugh out loud or punch a wall. He feels drunk or at least carbonated. Insane. At first, he thinks this is happiness, but then he determines it's love. Fucking love, he thinks. What a bother.
There's the tree with the branches that everyone sees, and then there's the upside-down root tree, growing the opposite way. So Earth is the branches, growing in opposing but perfect symmetry. The branches don't think much about the roots, and maybe the roots don't think much about the branches, but all the time, they're connected by the trunk, you know?