It's amazing how people can sound like retards when they're talking to their girlfriend, especially if they really love her a lot. Because when you're just fucking someone you make a point of keeping your cool, but when you're really in love - it can sound pretty repulsive.

Flights are expansive moments when the phone doesn't ring and the Internet doesn't work. The maxim that flying time is wasted time liberates me from my anxieties and guilt feelings, and it strips me of all ambitions, leaving room for a different sort of existence. A happy, idiotic existence, the kind that doesn't try to make the most of time but is satisfied with merely finding the most enjoyable way to spend it.

When you're having an asthma attack, you don't have any breath. When you don't have any breath, it's hard to speak. You're limited by the amount of air you can spend from your lungs. That's not much, something between three to six words. It gives the word a meaning. You're searching through the piles of words in your head, picking the most important ones. And they have a cost. It's not like the healthy people that take out every word that has accumulated in their head like garbage. When someone, while having an asthma attack, says "I love you" or "I really love you", there's a difference. A word difference. And a word is a lot, because that word could have been "sit", "Ventolin" or even "ambulance".

He felt full of a dense and sour substance that was blocking his chest, and it wasn't grief. After all those years, life now seemed like no more than a trap, a maze, not even a maze, just a room that was all walls, no door.

Experience has taught me that there are some situations in which it's better to keep quiet. That is, I tried to keep quiet. Life gives me good advice, but sometimes I refuse to take it.

Me, when it comes to religion, I have no God. When I'm cool, I don't need anyone, and when I'm feeling shitty and this big empty hole opens up inside me, I just know there's never been a god that could fill it and there never will be.

Dad said I had no respect for money and that if I didn't learn when I was little when was I going to learn? Kids who get Bart Simpson dolls at the drop of a hat turn into punks who steal from convenience stores, ‘cos they wind up thinking they can have whatever they want, just like that. So instead of a Bart doll he bought me an ugly porcelain pig with a slot in its back, and now I'll grow up to be okay, now I won't turn into a punk.

To what extent does anybody control his destiny? Life is very much like falling of the edge of a cliff. You have complete freedom to make all the choices you want to take on your way down. My characters choose to yearn and not lose hope even when the odds are completely against them. It doesn't make the landing at the end of that fall any less painful but, somehow, it helps them keep a little dignity their bone broken body.

When I ask him if he thinks there's a moral to his story, he says he's sure there must be, but doesn't know exactly what it is. "Maybe," he says after a short pause, "it's that this world is full of lizards, and even though there's nothing we can do about it, it is always helpful to find out how big they are.

I usually start writing stories from tone and not from content—kind of like people who create music and invent the lyrics later on. I often give this metaphor where I say that writing short fiction is like surfing, while writing a novel is like navigating with your car. So when you navigate with your car, you want to get somewhere. When you surf, you don’t want to get somewhere, you just don’t want to fall off your board. I think the equivalent of balance is tone, so I think tone gives birth to the story.

There should be an age limit for patients, he thinks as he takes off his shoes. You just have to say to them, "You lived long enough. From now on, think of what's left as a bonus, a gift without an exchange slip. It hurts? Stay in bed. It still hurts? Wait: Either you'll die or it'll pass.