There are random moments - tossing a salad, coming up the driveway to the house, ironing the seams flat on a quilt square, standing at the kitchen window and looking out at the delphiniums, hearing a burst of laughter from one of my children's rooms - when I feel a wavelike rush of joy. This is my true religion: arbitrary moments of of nearly painful happiness for a life I feel privileged to lead.
For all it's problems and difficulties, life is mostly a wonderful experience, and it is up to each person to make the most of each day. I hope you are successful in your life, but look to the heavens and the earth and especially to other people to find your real wealth. Wherever I am, wherever you go, know that my love goes with you.
When Suzie introduced Helen, she told the audience that one of the best things about books is that they are an interactive art form: that while the author may describe in some detail how a character looks, it is the reader's imagination that completes the image, making it his or her own. "That's why we so often don't like movies made from books, right?" Suzie said. "We don't like someone else's interpretation of what we see so clearly." She talked, too, about how books educate and inspire, and how they soothe the soul-"like comfort food without the calories," she said. She talked about the tactile joys of reading, the feel of a page beneath one's fingers; the elegance of typeface on a page. She talked about how people complain that they don't have time to read, and reminded them that if they gave up half an hour of television a day in favor of reading, they could finish twenty-five books a year. "Books don't take time away from us," she said. "They give it back. In this age of abstraction, of multitasking, of speed for speed's sake, they reintroduce us to the elegance-and the relief!-of real, tick-tock time.
And so, what of it all? What of me and my passions and personas, my great loves and failures of love, my writing, my politics? What of the clanging opinions, the endless queries as to the whys and wherefores of how I chose to conduct myself? In the end, there is but one answer to every question, whether it is spit at me or made as gentlest inquiry: I was I.
The things that brought me the most comfort now were too small to list. Raspberries in cream. Sparrows with cocked heads. Shadows of bare limbs making for sidewalk filigrees. Roses past their prime with their petals loose about them. The shouts of children at play in the neighborhood, Ginger Rogers on the black-and-white screen.
I just want to say one thing. If I ever write a novel again, it's going to be in defense of weak women, inept and codependent women. I'm going to talk about all the great movies and songs and poetry that focus on such women. I'm going to toast Blanche DuBois. I'm going to celebrate women who aren't afraid to show their need and their vulnerabilities. To be honest about how hard it can be to plow your way through a life that offers no guarantees about anything. I'm going to get on my metaphorical knees and thank women who fall apart, who cry and carry on and wail and wring their hands because you know what, Midge? We all need to cry. Thank God for women who can articulate their vulnerabilities and express what probably a lot of other people want to say and feel they can't. Those peoples' stronghold against falling apart themselves is the disdain they feel for women who do it for them. Strong. I'm starting to think that's as much a party line as anything else ever handed to women for their assigned roles. When do we get respect for our differences from men? Our strength is our weakness. Our ability to feel is our humanity. You know what? I'll bet if you talk to a hundred strong women, 99 of them would say 'I'm sick of being strong. I would like to be cared for. I would like someone else to make the goddamn decisions, I'm sick of making decisions.' I know this one woman who's a beacon of strength. A single mother who can do everything - even more than you, Midge. I ran into her not long ago and we went and got a coffee and you know what she told me? She told me that when she goes out to dinner with her guy, she asks him to order everything for her. Every single thing, drink to dessert. Because she just wants to unhitch. All of us dependent, weak women have the courage to do all the time what she can only do in a restaurant.
I was downstairs, reading."" Now?" I strained to see her face. She was smiling, it appeared."Yes, now," she said. "It's nice, sometimes, to read in the middle of the night. The sky is so dark and soft-looking outside the window, all the stars out. You have just on light on, you know, and it seems to pour onto the page. Makes the book seem better. You are this little island, just up alone with a book. And you heard the night sounds of the house...It's so interesting to me, that sound. Time. The measure of it.
Now he understood. After a while, pain simply stopped. It was as though your mind was able to create a firewall beyond which it would not let you venture. You had to have a break from your anguish, or you'd go crazy. It was the psychological equivalent to fainting when physical pain became overbearing.
I made cranberry sauce, and when it was done put it into a dark blue bowl for the beautiful contrast. I was thinking, doing this, about the old ways of gratitude: Indians thanking the deer they'd slain, grace before supper, kneeling before bed. I was thinking that gratitude is too much absent in our lives now, and we need it back, even if it only takes the form of acknowledging the blue of a bowl against the red of cranberries.
The best thing that can happen to me when I'm writing fiction is to lose sight of the fact that I'm writing at all. It's as though I enter into a kind of trance. I know I'm writing, but I don't THINK about it. I just let my fingers type--it's as though the feeling comes out directly through them, bypassing the brain altogether. When that happens, I feel completely transported. There is nothing else like this feeling, very little else is more important to me. That intimacy I feel between myself and my work is what makes me feel at home on the earth. I am basically a shy person, basically a loner and an outsider; and I have been all my life. But when I achieve the kind of connection I can through writing, I feel I'm sitting in the lap of God.
I am thinking about the way that life can be so slippery; the way that a twelve-year-old girl looking into the mirror to count freckles reaches out toward herself and that reflection has turned into that of a woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent/teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking into the mirror to count age spots.
Hey. Know what happened to me today?"He sits back and crosses his arms, smiles. "No. What happened to you today?""Well, I decided to take the bus to work instead of driving? And I got on and I sat behind this woman who started crying. She was very quiet about it, just every now and then she would reach up and wipe away a tear. She had this kerchief on her head, this ratty old flowered kerchief, but it was clean and it was tied very neatly, you know. And she had her purse on her lap and she was holding on to it like it was hands. At first nobody else seemed to notice she was crying, but then everybody around her did. And it got very quiet. And then finally this man got up from the back of the bus, and he came up and sat next to her and put his arm around her, and he didn't say a word, but just stared straight ahead with his arm around her and she kept crying, but it was better now, you could tell, she kind of had a little smile even though she was still crying. And I don't know if he even knew her! I think everybody was wondering the same thing: Does he even know her? I guess he must have known her; otherwise she probably would have leaped up and started screaming or something, but you never know! You just never know, it might have been someone whose heart went out to her because she was crying. And he decided he would comfort her. And she let him. And I think it was a kind of miracle. A living parable or something.
She sits down and puts her hand to her chest and rocks. Thinks of all she has lost and will lose. All she has had and will have. It seems to her that life is like gathering berries into an apron with a hole. Why do we keep on? Because the berries are beautiful, and we must eat to survive. We catch what we can. We walk past what we lose for the promise of more, just ahead.