The only ethical principle which has made science possible is that the truth shall be told all the time. If we do not penalize false statements made in error, we open up the way for false statements by intention. And a false statement of fact, made deliberately, is the most serious crime a scientist can commit.
See that the mind is honest, first; the rest may follow or not as God wills. [That] the fundamental treason to the mind ... is the one fundamental treason which the scholar's mind must not allow is the bond uniting all the Oxford people in the last resort.
Listen, Harriet. I do unterstand. I know you don't want either to give or to take ... You don't want ever again to have to depend for happiness on another person.""That's true. That's the truest thing you ever said.""All right. I can respect that. Only you've got to play the game. Don't force an emotional situation and then blame me for it.""But I don't want any situation. I want to be left in peace.
A man once asked me ... how I managed in my books to write such natural conversation between men when they were by themselves. Was I, by any chance, a member of a large, mixed family with a lot of male friends? I replied that, on the contrary, I was an only child and had practically never seen or spoken to any men of my own age till I was about twenty-five. "Well," said the man, "I shouldn't have expected a woman (meaning me) to have been able to make it so convincing." I replied that I had coped with this difficult problem by making my men talk, as far as possible, like ordinary human beings. This aspect of the matter seemed to surprise the other speaker; he said no more, but took it away to chew it over. One of these days it may quite likely occur to him that women, as well as men, when left to themselves, talk very much like human beings also.
This recognition of the truth we get in the artist’s work comes to us as a revelation of new truth. I want to be clear about that. I am not referring to the sort of patronizing recognition we give a writer by nodding our heads and observing, “Yes, yes, very good, very true—that’s just what I’m always saying.” I mean the recognition of a truth that tells us something about ourselves that we had not been always saying, something that puts a new knowledge of ourselves withint our grasp. It is new, startling, and perhaps shattering, and yet it comes to us with a sense of familiarity. We did not know it before, but the moment the poet has shown it to us, we know that, somehow or other, we had always really known it.
The making of miracles to edification was as ardently admired by pious Victorians as it was sternly discouraged by Jesus of Nazareth. Not that the Victorians were unique in this respect. Modern writers also indulge in edifying miracles though they generally prefer to use them to procure unhappy endings, by which piece of thaumaturgy they win the title of realists.
It's disquieting to reflect that one's dreams never symbolize one's real wishes, but always something Much Worse... If I really wanted to be passionately embraced by Peter, I should dream of dentists or gardening. I wonder what unspeakable depths of awfulness can only be expressed by the polite symbol of Peter's embraces?
Miss Climpson," said Lord Peter, "is a manifestation of the wasteful way in which this country is run. Look at electricity, Look at water-power. Look at the tides. Look at the sun. Millions of power units being given off into space every minute. Thousands of old maids, simply bursting with useful energy, forced by our stupid social system into hydros and hotels and communities and hostels and posts as companions, where their magnificent gossip-powers and units of inquisitiveness are allowed to dissipate themselves or even become harmful to the community, while the ratepayers' money is spent on getting work for which these women are providentially fitted, inefficiently carried out by ill-equipped policemen like you.
In reaction against the age-old slogan, "woman is the weaker vessel," or the still more offensive, "woman is a divine creature," we have, I think, allowed ourselves to drift into asserting that "a woman is as good as a man," without always pausing to think what exactly we mean by that. What, I feel, we ought to mean is something so obvious that it is apt to escape attention altogether, viz: (...) that a woman is just as much an ordinary human being as a man, with the same individual preferences, and with just as much right to the tastes and preferences of an individual. What is repugnant to every human being is to be reckoned always as a member of a class and not as an individual person.
The rule seemed to be that a great woman must either die unwed ... or find a still greater man to marry her. ... The great man, on the other hand, could marry where he liked, not being restricted to great women; indeed, it was often found sweet and commendable in him to choose a woman of no sort of greatness at all.
In fact, there is perhaps only one human being in a thousand who is passionately interested in his job for the job's sake. The difference is that if that one person in a thousand is a man, we say, simply, that he is passionately keen on his job; if she is a woman, we say she is a freak.
[W]hen I see men callously and cheerfully denying women the full use of their bodies, while insisting with sobs and howls on the satisfaction of their own, I simply can't find it heroic, or kind, or anything but pretty rotten and feeble.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
It is arguable that when Humanists, "Shook off," as people say, "the trammels of religion," and discovered things of this world as objects of veneration in their own right... they began to lose the finer appreciation of even the world itself. Thus to the Christian centuries, the flesh was holy (or sacer at least in one sense or the other), and they veiled its awful majesty; to the Humanist centuries it was divine in its own right, and they exhibited it. Now it is the commonplace of the magazine cover. It has lost its numen. So too with the cult of knowledge for its own sake declining from the Revival of Learning to the Brains Trust.
That this is really the case was made plain to me by the questions asked me, mostly by young men, about my Canterbury play, The Zeal of Thy House. The action of the play involves a dramatic presentation of a few fundamental Christian dogmas— in particular, the application to human affairs of the doctrine of the Incarnation. That the Church believed Christ to be in any real sense God, or that the eternal word was supposed to be associated in any way with the word of creation; that Christ was held to be at the same time man in any real sense of the word; that the doctrine of the Trinity could be considered to have any relation to fact or any bearing on psychological truth; that the Church considered pride to be sinful, or indeed took notice of any sin beyond the more disreputable sins of the flesh—all these things were looked upon as astonishing and revolutionary novelties, imported into the faith by the feverish imagination of a playwright. I protested in vain against this flattering tribute to my powers of invention, referring my inquirers to the creeds, to the gospels, and to the offices of the Church; I insisted that if my play were dramatic it was so, not in spite of the dogma, but because of it—that, in short, the dogma was the drama. The explanation was, however, not well received; it was felt that if there were anything attractive in Christian philosophy I must have put it there myself.
You'd think (losing his job and degree for having made false claims as a researcher) would be a lesson to him," said Miss Hillyard. "It didn't pay, did it? Say he sacrificed his professional honour for the women and children we hear so much about -- but in the end it left him worse of."But that," said Peter, "was only because he committed the extra sin of being found out.
And upon his return, Gherkins, who had always considered his uncle as a very top-hatted sort of person, actually saw him take from his handkerchief-drawer an undeniable automatic pistol.It was at this point that Lord Peter was apotheosed from the state of Quite Decent Uncle to that of Glorified Uncle
I am occasionally desired by congenital imbeciles and the editors of magazines to say something about the writing of detective fiction “from the woman’s point of view.” To such demands, one can only say “Go away and don’t be silly. You might as well ask what is the female angle on an equilateral triangle.
It is a formidable list of jobs: the whole of the spinning industry, the whole of the dyeing industry, the whole of the weaving industry. The whole catering industry and—which would not please Lady Astor, perhaps—the whole of the nation’s brewing and distilling. All the preserving, pickling and bottling industry, all the bacon-curing. And (since in those days a man was often absent from home for months together on war or business) a very large share in the management of landed estates. Here are the women’s jobs—and what has become of them? They are all being handled by men. It is all very well to say that woman’s place is the home—but modern civilisation has taken all these pleasant and profitable activities out of the home, where the women looked after them, and handed them over to big industry, to be directed and organised by men at the head of large factories. Even the dairy-maid in her simple bonnet has gone, to be replaced by a male mechanic in charge of a mechanical milking plant.
[N]othing about a book is so unmistakable and so irreplaceable as the stamp of the cultured mind. I don't care what the story is about or what may be the momentary craze for books that appear to have been hammered out by the village blacksmith in a state of intoxication; the minute you get the easy touch of the real craftsman with centuries of civilisation behind him, you get literature.
Perhaps [the critics are right and] the drama is played out now and Jesus is safely dead and buried. Perhaps. It is ironical and entertaining to consider that at least once in the world’s history those words might have been said with complete conviction, and that was on the eve of the Resurrection.
For whatever reason God chose to make man as he is— limited and suffering and subject to sorrows and death—He had the honesty and the courage to take His own medicine. Whatever game He is playing with His creation, He has kept His own rules and played fair. He can exact nothing from man that He has not exacted from Himself. He has Himself gone through the whole of human experience, from the trivial irritations of family life and the cramping restrictions of hard work and lack of money to the worst horrors of pain and humiliation, defeat, despair and death. When He was a man, He played the man. He was born in poverty and died in disgrace and thought it well worthwhile.
There is, in fact, a paradox about working to serve the community, and it is this: that to aim directly at serving the community is to falsify the work; the only way to serve the community is to forget the community and serve the work.
Don't be so damned discouraging," said Wimsey. "I have already carefully explained to you that this time I am investigating this business. Anybody would think you had no confidence in me.""People have been wrongly condemned before now.""Exactly; simply because I wasn't there.""I never thought of that.
She suddenly saw Wimsey in a new light. She knew him to be intelligent, clean, courteous, wealthy, well-read, amusing and enamored, but he had not so far produced in her that crushing sense of inferiority which leads to prostration and hero-worship. But she now realized that there was, after all, something godlike about him. He could control a horse.
I looked for any footmarks of course, but naturally, with all this rain, there wasn't a sign. Of course, if this were a detective story, there'd have been a convenient shower exactly an hour before the crime and a beautiful set of marks which could only have come there between two and three in the morning, but this being real life in a London November, you might as well expect footprints in Niagara. I searched the roofs right along—and came to the jolly conclusion that any person in any blessed flat in the blessed row might have done it.
Lord Peter was hampered in his career as a private detective by a public school education. Despite Parker's admonitions, he was not always able to discount it. His mind had been warped in its young growth by "Raffles" and "Sherlock Holmes," or the sentiments for which they stand. He belonged to a family which had never shot a fox. 'I am an amateur,' said Lord Peter
She had her image… and anything added to that would be mere verse-making. Something might come of it some day. In the meanwhile she had got her mood on to paper—and this is the release that all writers, even the feeblest, seek for as men seek for love; and, having found it, they doze off happily into dreams and trouble their hearts no further.
I imagine you come across a number of people who are disconcerted by the difference between what you do feel and what they fancy you ought to feel. It is fatal to pay the smallest attention to them.”“Yes,” said Harriet, “but I am one of them. I disconcert myself very much. I never know what I do feel.”“I don’t think that matters, provided one doesn’t try to persuade one’s self into appropriate feelings.
The rest were nondescript, as yet undifferentiated—yet nondescripts, thought Harriet, were the most difficult of all human beings to analyze. You scarcely knew they were there, until—bang! Something quite unexpected blew up like a depth charge and left you marveling, to collect strange floating debris.
But if you were investigating a crime,” said Lady Swaffham, “you’d have to begin by the usual things, I suppose — finding out what the person had been doing, and who’d been to call, and looking for a motive, wouldn’t you?”“Oh, yes,” said Lord Peter, “but most of us have such dozens of motives for murderin’ all sorts of inoffensive people. There’s lots of people I’d like to murder, wouldn’t you?”“Heaps,” said Lady Swaffham.
You're thinking that people don't keep up old jealousies for twenty years or so. Perhaps not. Not just primitive, brute jealousy. That means a word and a blow. But the thing that rankles is hurt vanity. That sticks. Humiliation. And we've all got a sore spot we don't like to have touched.
If God made everything, did He make the Devil?' This is the kind of embarrassing question which any child can ask before breakfast, and for which no neat and handy formula is provided in the Parents' Manual…Later in life, however, the problem of time and the problem of evil become desperately urgent, and it is useless to tell us to run away and play and that we shall understand when we are older. The world has grown hoary, and the questions are still unanswered.
Persons curious in chronology may, if they like, work out from what they already know of the Wimsey family that the action of the book takes place in 1935; but if they do, they must not be querulously indignant because the King's Jubilee is not mentioned, or because I have arranged the weather and the moon's changes to suit my own fancy. For, however realistic the background, the novelist's only native country is Cloud-Cuckooland, where they do but jest, poison in jest: no offence in the world.
We may properly and profitably amuse ourselves by distinguishing those writers who are respectively 'father-ridden,' 'son-ridden,' and 'ghost-ridden.' It is the mark of the father-ridden that they endeavor to impose the idea directly upon the mind and senses, believing that his is the whole of the work...Among the son-ridden, we may place such writers as Swinburne, in whom the immense ingenuity and sensuous loveliness of the manner is developed out of all proportion to the tenuity of the ruling idea...The ghost-ridden writer, on the other hand, conceives that the emotion which he feels is in itself sufficient to awaken response, without undergoing discipline of a thorough incarnation, and without the coherence that derives from reference to a controlling idea...It may serve as a starting point to say that, whereas failure in the father may be roughly summed up as a failure of thought and a failure in the son is a failure in action, failure in the ghost is a failure in wisdom--not the wisdom of the brain, but the more intimate and instinctive wisdom of the heart and bowels.
Lord Peter's library was one of the most delightful bachelor rooms in London. Its scheme was black and primrose; its walls were lined with rare editions, and its chairs and Chesterfield sofa suggested the embraces of the houris. In one corner stood a black baby grand, a wood fire leaped on a wide old-fashioned hearth, and the Sèvres vases on the chimneypiece were filled with ruddy and gold chrysanthemums. To the eyes of the young man who was ushered in from the raw November fog it seemed not only rare and unattainable, but friendly and familiar, like a colourful and gilded paradise in a mediæval painting
Philip wasn't the sort of man to make a friend of a woman. He wanted devotion. I gave him that. I did, you know. But I couldn't stand being made a fool of. I couldn;t stand being put on probation, like an office-boy, to see if I was good enough to be condescended to. I quite thought he was honest when he said he didn't believe in marriage -- and then it turned out that it was a test, to see whether my devotion was abject enough. Well, it wasn't. I didn't like having matrimony offered as a bad-conduct prize.
... I should wish to add, as a tribute to the great merits of your lordship's cellar, that, although I was obliged to drink a somewhat large quantity both of the Cockburn '68 and the 1800 Napoleon I feel no headache or other ill effects this morning. Trusting that your lordship is deriving real benefit from the country air, and that the little information I have been able to obtain will prove satisfactory, I remain, With respectful duty to all the family, their ladyships, Obediently yours, MERVYN BUNTER. "Y'know," said Lord Peter thoughtfully to himself, "I sometimes think Mervyn Bunter's pullin' my leg.
Why would you family think about it?""Oh, my mother's the only one that counts, and she likes you very much from what she's seen of you.""So you had me inspected?""No-dash ti all, I seem to be saying all the wrong things today. I was absolutely stunned that first day in court, and I rushed off to my mater, who's an absolute dear, and the kind of person who really understands things, and I said, 'Look here! here's the absolutely one and only woman, and she's being put through a simply ghastly awful business and for God's sake come and hold my hand!' You simply don't know how foul it was.
Lord Peter Wimsey: Facts, Bunter, must have facts. When I was a small boy, I always hated facts. Thought they were nasty, hard things, all nobs. Mervyn Bunter: Yes, my lord. My old mother always used to say... Lord Peter Wimsey: Your mother, Bunter? Oh, I never knew you had one. I always thought you just sort of came along already-made, so it were. Oh, excuse me. How infernally rude of me. Beg pardon, I'm sure. Mervyn Bunter: That's all right, my lord. Lord Peter Wimsey: Thank you. Mervyn Bunter: Yes indeed, I was one of seven. Lord Peter Wimsey: That is pure invention, Bunter, I know better. You are unique. But you were going to tell me about your mater. Mervyn Bunter: Oh yes, my lord. My old mother always used to say that facts are like cows. If you stare them in the face hard enough, and they generally run away. Lord Peter Wimsey: By Jove, that's courageous, Bunter. What a splendid person she must be. Mervyn Bunter: I think so, my lord.
He remembered having said to his uncle (with a solemn dogmatism better befitting a much younger man): "Surely it is possible to love with the head as well as the heart." Mr. Delagardie had replied, somewhat drily: "No doubt; so long as you do not end by thinking with your entrails instead of your brain.