See the moon? It hates us.

The death of God left the angels in a strange position.

--Why are we fighting them?--They're mad. We're sane.--How do we know?--That we're sane?--Yes.--Am I sane?--To all appearances.--And you, do you consider yourself sane?--I do.--Well, there you have it.--But don't they also consider themselves sane?--I think they know. Deep down. That they're not sane.--How must that make them feel?--Terrible, I should think. They must fight ever more fiercely, in order to deny what they know to be true. That they are not sane.

We could unleash all this technology at once. You can imagine what would happen then. But that's not the interesting thing." "What is the interesting thing?" "The interesting thing is that we have a moral sense. It is on punched cards, perhaps the most advanced and sensitive moral sense the world has ever known." "Because it is on punched cards?" "It considers all considerations in endless and subtle detail," he said. "It even quibbles. With this great new moral tool, how can we go wrong? I confidently predict that, although we could employ all this splendid new weaponry I've been telling you about, we're not going to do it.

New artists have been obtained. These do not object to, and indeed argue enthusiastically for, the rationalization process. Production is up. Quality-control devices have been installed at those points where the interests of artists and audiences intersect. Shipping and distribution have been improved out of all recognition. (It is in this area, they say in Paraguay, that traditional practices were most blameworthy.) The rationalized art is dispatched from central art dumps to regional art dumps, and from there into the lifestreams of cities. Each citizen is given as much art as his system can tolerate.

Then Wanda proposed a health. "Health to abandoned wives!" she said. "Well now," I said. "'Abandoned,' that's a little strong." "Pushed out, jettisoned, abjured, thrown away," she said. "I remember," I said, "a degree of mutuality, in our parting." "And when guests came," she said, "you always made me sit in the kitchen." "I thought you liked it in the kitchen," I said. "You were forever telling me to get out of the bloody kitchen." "And when my overbite required correction," she said, "you would not pay for the apparatus." "Seven years of sitting by the window with your thumb in your mouth," I said. "What did you expect?" "And when I needed a new frock," she said, "you hid the Master Charge." "There was nothing wrong with the old one," I said, "that a few well-placed patches couldn't have fixed." "And when we were invited to the Argentine Embassy," she said, "you made me drive the car in a chauffeur's cap, and park the car, and stand about with the other drivers outside while you chatted up the Ambassador." "You know no Spanish," I pointed out. "It was not the happiest of marriages," she said, "all in all." "There has been a sixty percent increase in single-person households in the last ten years, according to the Bureau of the Census," I told her. "Perhaps we are part of a trend.

There was a certain amount of initial argumentation about the "meaning" of the balloon; this subsided, because we have learned not to insist on meanings, and they are rarely even looked for now, except in cases involving the simplest, safest phenomena.

Yes, the saint was underrated quite a bit, then, mostly by people who didn’t like things that were ineffable……a lot of people don’t like things that are unearthly, the things of this earth are good enough for them, and they don’t mind telling you so. “If he’d just go out and get a job, like everybody else, then he could be saintly all day long…” —from “The Temptations of St. Anthony,” by Donald Barthelme

The aim of literature ... is the creation of a strange object covered with fur which breaks your heart.

Fragments are the only forms I trust.

Now, here is the point about the self: it is insatiable. It is always, always hankering. It is what you might call rapacious to a fault. The great flaming mouth to the thing is never in this world going to be stuff full.

I wanted to say a certain thing to a certain man, a certain true thing that had crept into my head. I opened my head, at the place provided, and proceeded to pronounce the true thing that lay languishing there—that is, proceeded to propel that trueness, that felicitous trularity, from its place inside my head out into world life. The certain man stood waiting to receive it. His face reflected an eager accepting-ness. Everything was right. I propelled, using my mind, my mouth, all my muscles. I propelled. I propelled and propelled. I felt trularity inside my head moving slowly through the passage provided (stained like the caves of Lascaux with garlic, antihistamines, Berloiz, a history, a history) toward its debut on the world stage. Past my teeth, with their little brown sweaters knitted of gin and cigar smoke, toward its leap to critical scrutiny. Past my lips, with their tendency to flake away in cold weather—

I myself," said Gibbon, "am slightly underdone in the personal worthlessness line. It was Papa's fault. He used no irony. The communications mix offered by the parent to the child is as you know twelve percent do this, eighty-two percent don't do that, and six percent huggles and endearments. That is standard. Now, to avoid boring himself or herself to death during this monition the parent enlivens the discourse with wit, usually irony of the cheaper sort. The irony ambigufies the message, but more importantly establishes in the child the sense of personal lack-of-worth. Because the child understands that one who is talked to in this way is not much of a something. Ten years of it goes a long way. Fifteen is better. That is where Pap fell down. He eschewed irony.

But the lie had to be a good one, because if your lie is badly done it makes everyone feel wretched, liar and lied-to alike plunged into the deepest lackadaisy, and everyone just feels like going into the other room and drinking a glass of water, or whatever is available there, whereas if you can lie really well then get dynamite results, 35 percent report increased intellectual understanding, awareness, insight, 40 percent report more tolerance, acceptance of others, liking for self, 29 percent report they receive more personal and more confidential information from people and that others become more warm and supportive toward them--all in consequence of a finely orchestrated, carefully developed untruth.

I noticed that he was an Irish setter, rust-colored. He noticed that I was a Welsh sculptor, buff-colored (no, really, what did he notice? how does he think?) I reflected that he was probably a nice dog from a good home (bourgeois dog) but with certain unfortunate habits like jumping on people from high windows (rationalization: he is a member of the television generation and thus -)

The first thing I did was make a mistake. I thought I had understood capitalism, but what I had done was assume an attitude -melancholy sadness- toward it.

I visit my assistant mistress. "Well, Azalea," I say, sitting in the best chair, "what has happened to you since my last visit?" Azalea tells me what happened to her. She has covered a sofa, and written a novel. Jack has behaved badly. Roger has lost his job (replaced by an electric eye). Gigi's children are in the hospital being detoxified, all three. Azalea herself is dying of love. I stroke her buttocks, which are perfection, if you can have perfection, under the capitalistic system. "It is better to marry that to burn," St. Paul says, but St. Paul is largely discredited now, for the toughness of his views does not accord with the experience of advanced industrial societies.

Smoke, rain, abulia. What can the concerned citizen do to fight the rise of capitalism, in his own community? Study of the tides of conflict and power in a system in which there is structural inequality is an important task. A knowledge of European intellectual history since 1789 provides a useful background. Information theory offers interesting new possibilities. Passion is helpful, especially those types of passion which are non licit. Doubt is a necessary precondition to meaningful action. Fear is the great mover, in the end.

They were heading I judged for the Sixth Precinct. Had I had the black hat with me, and sufficient men and horses and lariats and .30-30s, and popular support from the masses and a workable revolutionary ideology and/or a viable myth pattern, I would have rescued them.

Immature citizens in several sizes were massed before a large factorylike structure where advanced techniques transformed them into true-thinking right-acting members of the three social classes, lower, middle, and upper middle.

There is no moment that exceeds in beauty that moment when one looks at a woman and finds that she is looking at you in the same way that you are looking at her. The moment in which she bestows that look that says, "Proceed with your evil plan, sumbitch." The initial smash on glance. The, the drawing near. This takes a long time, it seems like months, although only minutes pass, in fact. Languor is the word that describes this part of the process. Your persona floats toward her persona, over the Sea of Hesitation. Many weeks pass before they meet, but the weeks are days, or seconds. Still, everything is decided. You have slept together in the glance.

It is a curiosity of writing about angels that, very often, one turns out to be writing about men.

He is mad about being small when you were big, but no, that's not it, he is mad about being helpless when you were powerful, but no, not that either, he is mad about being contingent when you were necessary, not quite it... he is insane because when he loved you, you didn't notice.

the hinder portion scalding-house good eating Curve B in addition to the usual baths and ablutions military police sumptuousness of the washhouse risking misstatements kept distances iris to iris queen of holes damp, hairy legs note of anger chanting and shouting konk sense of "mold" on the "muff" sense of "talk" on the "surface" konk2 all sorts of chemical girl who delivered the letter give it a bone plummy bare legs saturated in every belief and ignorance rational living private client bad bosom uncertain workmen mutton-tugger obedience to the rules of the logical system Lord Muck hot tears harmonica rascalthat's chaos can you produce chaos? Alice asked certainly I can produce chaos I said I produced chaos she regarded the chaos chaos is handsome and attractive she said and more durable than regret I said and more nourishing than regret she said

Is that true," I asked, "that song?""It is a metaphor," said Mrs. Davis, "it has metaphorical truth.""And the end of the mechanical age," I said, "is that a metaphor?""The end of the mechanical age," said Mrs. Davis, "is in my judgment an actuality straining to become a metaphor. One must wish it luck, I suppose. One must cheer it on. Intellectual rigor demands that we give these damned metaphors every chance, even if they are inimical to personal well-being and comfort. We have a duty to understand everything, whether we like it or not–a duty I would scant if I could." At that moment the water jumped into the boat and sank us.

You told me that Kafka was not a thinker, and that a "genetic" approach to his work would disclose that much of it was only a kind of very imaginative whining. That was during the period when you were going in for wrecking operations, feeling, I suppose, that the integrity of your own mental processes was best maintained by a series of strong, unforgiving attacks. You made quite an impression on everyone, in those days: you ruffled blouse, you long magenta skirt slit to the knee, the dagger thrust into your boot. "Is that a metaphor?" I asked, pointing to the dagger; you shook your head, smiled, said no.

This muck heaves and palpitates. It is multi-directional and has a mayor.