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  3. Djuna Barnes
Voltar

She was gracious and yet fading, like an old statue in a garden, that symbolizes the weather through which it has endured, and is not so much the work of man as the work of wind and rain and the herd of the seasons, and though formed in men's image is a figure of doom.

love women beauty men independence garden seasons weather woman-s-strength imagery djuna-barnes

there's something wrong with any art that makes a woman all bust

em Nightwood
art woman aesthetics bust

the ballerina on perfected toeSpins to the axis of a fortitudeThat is the sum of all her yesterdays.

individuality history

The unendurable is the beginning of the curve of joy.

em Nightwood
pain

...he is not like other children, not cruel, or savage. For this very reason he is called 'strange.' A child who is mature, in the sense that the heart is mature, is always, I have observed, called deficient.

em Nightwood
peace heart children

I have been loved," she said, "by something strange, and it has forgotten me.

em Nightwood
love pain heartache loss brokenhearted

None of us suffers as much as we should, or loves as much as we say. Love is the first lie; wisdom the last.

em Nightwood
love death wisdom suffering

To think is to be sick...

em Nightwood
thinking

I like my human experience served up with a little silence and restraint. Silence makes experience go further and, when it does die, gives it that dignity common to a thing one had touched and not ravished.

silence

She said to herself: 'Is not the gown the natural raiment of extremity? What nation, what religion, what ghost, what dream has not worn it—infants, angels, priests, the dead; why—should not the doctor, in the grave dilemma of his alchemy, wear his dress?' She thought: 'He dresses to lie beside himself, who is so constructed that love, for him, can be only something special; in a room that giving back evidence of his occupancy, is as mauled as the last agony.

em Nightwood
identity alchemy clothing

He knew at the same time that this stricture of acceptance (by which what we must love is made into what we can love) would eventually be a part of himself

em Nightwood
love acceptance

I was doing well enough until you came along and kicked my stone over, and out I came, all moss and eyes.

em Nightwood
solitude

To love without criticism is to be betrayed.

em Nightwood
love betrayal

I might have known better, nothing is what everybody wants, the world runs on that law. Personally, if I could, I would instigate Meat-Axe Day, and out of the goodness of my heart I would whack your head off with a couple of others. Every man should be allowed one day and a hatchet just to ease his heart.

em Nightwood
unrequited-love stress-relief the-heart beheading axes

We are adhering to life now with our last muscle - the heart.

passion heart

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