Notwithstanding the memories of slavery, and in the face poverty, ignorance, terrorism, and subjugation still deeply woven into their lives, the embittered past of blacks was taken onto a much higher plane of intellectual and artistic consideration during the Renaissance.

It [the Harlem Renaissance] was a time of black individualism, a time marked by a vast array of characters whose uniqueness challenged the traditional inability of white Americans to differentiate between blacks.

Sandra L. West and Aberjhani have compiled an encyclopedia that makes an important contribution to our need to know more about one of modern America’s truly significant artistic and cultural movements. It helps us to acknowledge the complexity of African American life at a time when the nation’s culture was taking on a recognizable shape, when race was becoming less of a crushing burden and more of a challenge to progressive people and their ideals, and when cities and their inhabitants symbolized the end of the past and the seductiveness of the new.

We are drawn to the Renaissance because of the hope for black uplift and interracial empathy that it embodied and because there is a certain element of romanticism associated with the era’s creativity, its seemingly larger than life heroes and heroines, and its most brilliantly lit terrain, Harlem, USA.