Before we leave the gravesite, Mary sings Mother's favorite gospel hymn ...Mary's lovely voice rises and lingers in the air, and by the end of the song most of us are crying. I am too, though I still don't know what those stars are meant to represent. My mistake, I suppose, is in thinking they should mean something.
She is so white-hot furious she can barely see. She stokes the fire of her hatred, feeding it tidbits about bigoted Dina and spineless mushmouth Ralph, because she knows that just beyond the rage is a sorrow so enervating it could render her immobile. She needs to keep moving, flickering around the room. She needs o fill her bags and get the hell out of here.
She has never tried to find out what happened to her family — her mother or her relatives in Ireland. But over and over, Molly begins to understand as she listens to the tapes, Vivian has come back to the idea that the people who matter in our lives stay with us, haunting our most ordinary moments. They're with us in the grocery store, as we turn a corner, chat with a friend. They rise up through the pavement; we absorb them through our soles.
You can live for a long time inside the shell you were born in. But one day it'll become too small.""Then what?" I ask."Well, then you'll have to find a larger shell to live in."I consider this for a moment. "What if it's too small but you still want to live there?"She sighs. "Gracious, child, what a question. I suppose you'll either have to be brave and find a new home or you'll have to live inside a broken shell.
Molly learned long ago that a lot of the heartbreak and betrayal that other people fear their entire lives, she has already faced. Father dead. Mother off the deep end. Shuttled around and rejected time and time again. And still she breathes and sleeps and grows taller. She wakes up every morning and puts on clothes. So when she says it's okay, what she means is that she knows she can survive just about anything.