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  3. Celine Kiernan
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(on teaching writing) So many writers come to class with one question dominant in their mind, 'How do I make a living from this?' It's a fair enough question and one I always try to answer well - but it saddens me that it so often overshadows the more relevant questions of 'why am I writing' and 'what am I saying' and 'how do I keep it honest.

writing celine-kiernan into-the-grey moorehawke

It is as though the human race is always only waiting for permission to hate.

em The Moorehawke Trilogy bundle
hate humanity race

When we’ve decided to tell the truth in a story, we should tell good, strong versions of it, proper versions that kids can do something with.

ya writing children-s-literature kidlit

Write what is important to you, regardless of fashion or marketability or anything like that – all those things are so far out of your control that you may as well not think about them. Of course, this may mean you’ll never be published but that’s a risk we all take every single time we set hands to keyboard or pen to paper. For me, if I can sit back at the end of a project and say, ‘yes, I stayed honest, I said what I wanted to say, and I made it sing to the best of my ability’, then I’m happy enough. Of course, if anyone wants to buy the damned thing off me when I’m done, that’s jam I won’t refuse.

writing-craft

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