I started crying when the group [therapy] was over because the last thing we did upset me - we all held a piece of the same cloth, leaned back and supported each other's weight. I couldn't do it. I bent my legs and elbows and stood very firm, yet . . .I needed to feel supported, as i do in life, but i can't let myself be, and i pretend not to need that support.

I think maybe they come out into the grounds in nightwear. But no, in typical anorexic stype they have read the fashion magazines literally. This is their version of thin girls in strappy clothes.The girl in the petticoat talks to me, as Emma has done on occsasion, in a rather grand style, as if she is a 'lady' of some substance and I a visiting guest.Do they chat much about clothes? I ask Emma in the car.She shakes her head.So, does she, Emma, see the difference between underwear or nightwear and 'going out' clothes?'Yes,' she says, her voices strained again. 'But it's one of the things you don't know properly when you're ill and confused. You see these pictures and the people in the magazines are real for you.

I want to kiss the bottom of the ocean before I burst through its surface into the sunlight. Otherwise I'll always be wondering about what was left unseen at the bottom.

Locking away appetite, anger, the fullness of life, anorexia helps cover up whatever struggles inside. With its controlling bouts of bingeing and starvation, of trance and half-life, it becomes a shield to fend off despair and longing and what most of use would see as ordinary responsible behavior.

Doesn' t she care what she does to her family? ' people will ask. ' How can she starve herself like that? 'She has fallen into bad company, been influenced from within by something she thought she could control, but which has ended up controlling

While she is still hospitalised, I take Emma out for strengthening walks, for her muscles and been under-used for a long time. She is sometimes breathless, I notice with concern, and there are other changes in her, either through a nerve her therapy touches, or through her illness, or both, which make her, quite often, disagreeable to be with.

The reasons for Emma's illness and for her decision to allow life in, rather than die, are intertwined and involve the beginnings of her feelings of belonging, of safety and of competence to be in the world.

her eyes are unfathomable to me, hostile, even, as if she had removed herself to a place where I cannot reach her - somewhere I cannot know.

She fails to see who I am, even, for her eyes do not, will not, take me in. Instead they transmit a powerful message. She is like a billboard flashing, starkly: 'Keep Out'.

Deception' is the word I most associate with anorexia and the treachery which comes from falsehood. The illness appears inviting. It would seem to offer something to those unwary or unlucky enough to suffer from it - friendship, a get-out, or a haven - when, in fact, it is a trap.

Whatever it was her father wanted, Emma did not know how to provide it. She felt confused by what he did, and imagined the problem was a lack in her, rather than him. And there was something

There was another problem with Emma's father, difficult for a small child who already thought of herself as greedy - his way of trying to keep her attention, to bribe her, with gifts. On each vof her visits, he would appear with you presents, beautifully wrapped> And her confusion that she liked - and wanted - the presents, but not the man, was painful. He used 'sparkly Sellotape' and cut things into nice shapes and she wistfully w