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  3. Andrew Miller
Back

Art, I subsequently realised, is like that. It softens by association and implication. It renders the hard pliable. It creates gaps, gaping holes really, in possibility.

in Dub Steps
art

And yet, in terms of its emotive potential, I still find art more attractive, currently, than books, which fail at a deeper level.

in Dub Steps
art books

Sometimes the heart demands.

in Dub Steps
heart

I regret, most of all, my shrivelled heart. So focused on the numbers. On the maths of my personal equation. Can a man change his heart? Are there ways to improve the spirit of who you are? Of why you choose?

in Dub Steps
heart

The writers themselves … they were pitifully out of context. So self-assured, so assuming, so completely wrong. Unable – any of them – to imagine what might be coming.

in Dub Steps
writers

We are, after all, human. There is something wild in those opposable thumbs.

in Dub Steps
human wild thumbs

Control is an advertising concept.

in Dub Steps
control advertising

If the trees and the plants are brothers, if the birds are my sisters, then cats are truly my kin.

in Dub Steps
cats

Artists could never, would never, harm anybody. They’re too busy painting. Same with ad drunks. They might be a bit useless at functional tasks, they may break things (small objects, precious objects, door handles, car accessories, and such), but they’re too pissed to get seriously involved in anything.

in Dub Steps
artists

Intimacy, finally, had got the better of us.

in Dub Steps
intimacy

We calculated the baseline requirement of diversity.

in Dub Steps
diversity
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