An ironic religion -- one that never claims to be absolutely true but only professes to be relatively beautiful, and never promises salvation but only proposes it as a salubrious idea. A century ago there were people who thought art was the thing that could fuse the terms of this seemingly insuperable oxymoron, and no doubt art is part of the formula. But maybe consumerism also has something to teach us about forging an ironic religion -- a lesson about learning to choose, about learning the power and consequences, for good or ill, of our ever-expanding palette of choices. Perhaps . . . the day will come when the true ironic religion is found, the day when humanity is filled with enough love and imagination and responsibility to become its own god and make a paradise of its world, a paradise of all the right choices.
That's the problem with relationships," George was saying. "It's a contract. You agree to be some unchanging caricature of yourself. To act the same way all the time. Never to change. It's counter-evolutionary. How can anything new and good come into your life, if you're holding on to something that doesn't exist anymore?
Children, awkward, isolate, their bodies crammed to bursting with caffein and sugar and pop music and cologne and perfume and hairgel and pimple cream and growth hormone-treated hamburger meat and premature sex drives and costly, fleeting, violent sublimations. It's all part of the conspiracy . . . all of it trying to convince them that they're here to be trained for lives of adventure and glamor and heroism, when in fact they're here only to be trained for more of the same, for lives of plunking in the quarters, paying a premium for the never-ending series of shabby fantasies to come, the whole lifelong laser light show of glamorous degradation and habitual novelty and fun-loving murder and global isolation.