No man kills himself unless there is something wrong with his life.

Suicide creates his own society: to shut yourself off from other people in some dingy, rented box and stare, like Melville's Bartleby, day in and day out at the dead wall outside your window is in itself a rejection of the world which is said to be rejecting you. It is a way of saying, like Bartleby, 'I prefer not to' to every offer and every possibility, which is a condition no amount of social engineering will cure.

When there is no peril in the fight, there is no glory in the triumph.

Suicide is a confession of failure. And like divorce, it is shrouded in excuses and rationalizations spun endlessly to disguise the simple fact that all one's energy, passion, appetite and ambition have been aborted.

From that altitude, the world looked calm and vivid and possible. But by the time we landed at Prestwick the clouds were down like the black cap on a hanging judge.

[Sylvia Plath] was now far along a peculiarly solitary road on which not many would risk following her. So it was important for her to know that her messages were coming back clear and strong. Yet not even her determinedly bright self-reliance could disguise the loneliness that came from her almost palpably, like a heat haze. She asked for neither sympathy nor help but, like bereaved widow at a wake, she simply wanted company in her mourning.

Suicide may be a declaration of bankruptcy which passes judgement on a life as one long history of failures. But it is a history which also amounts at least to this one decision which, by its very finality, is not wholly a failure. Some kind of minimal freedom — the freedom to die in one's own way and in one's own time — has been salvaged from the wreck of all those unwanted necessities.

The pity is not that there is a myth of Sylvia Plath but that the myth is not simply that of an enormously gifted poet whose death came carelessly, by mistake, and too soon.

For the artist himself art is not necessarily therapeutic; he is not automatically relieved of his fantasies by expressing them. Instead, by some perverse logic of creation, the act of formal expressions may simply make the dredged-up material more readily available to him.